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CALSCALE:GREGORIAN
BEGIN:VEVENT
DTSTART:20161201T233000Z
DTEND:20161202T010000Z
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SUMMARY:MATERIALITY at the Mead - Laurence Kanter
DESCRIPTION:MATERIALITY at the Mead - Laurence Kanter New discoveries and directions in art are presented in this series of gallery talks focusing on the physical materials artists use. Thursday\, December 1\, 6:30 pm What's the secret to identifying a painting's creator? Come hear the process by which the Mead's Renaissance painting The Crucifixion was identified as the work of the remarkably expressive devotional painter and monk Lorenzo Monaco (ca. 1370 1425). The scholar responsible for this new attribution\, Laurence Kanter\, Chief Curator and the Lionel Goldfrank III Curator of European Art at Yale University Art Gallery\, details his recent discovery\, joined in conversation with Nicola Courtright\, William McCall Vickery 1957 Professor of the History of Art. Followed by a reception.
X-ALT-DESC;FMTTYPE=text/html:MATERIALITY at the Mead - Laurence Kanter New discoveries and directions in art are presented in this series of gallery talks focusing on the physical materials artists use. Thursday\, December 1\, 6:30 pm What&rsquo\;s the secret to identifying a painting&rsquo\;s creator? Come hear the process by which the Mead&rsquo\;s Renaissance painting The Crucifixion was identified as the work of the remarkably expressive devotional painter and monk Lorenzo Monaco (ca. 1370&ndash\;1425). The scholar responsible for this new attribution\, Laurence Kanter\, Chief Curator and the Lionel Goldfrank III Curator of European Art at Yale University Art Gallery\, details his recent discovery\, joined in conversation with Nicola Courtright\, William McCall Vickery 1957 Professor of the History of Art. Followed by a reception.
LOCATION:Mead Art Museum
UID:e.1230.18260
SEQUENCE:3
DTSTAMP:20260409T215150Z
URL:https://business.amherstarea.com/events/details/materiality-at-the-mead-laurence-kanter-18260
END:VEVENT

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